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Harry Styles review – a slow start before a true star emerges for hysterical fans 

Harry Styles’ emancipation from the X Factor-created, boy band juggernaut that is/was (they’re on “hiatus”) One Direction has been a masterclass in earnest repositioning. Last September he was interviewed by Paul McCartney for the high-end fashion magazine Another Man, while Cameron Crowe – whose 2000 film, Almost Famous, chronicling the 1970s US rock scene you assume the floppy-haired Styles has seen once or twice – came out of semi-retirement to profile him for Rolling Stone.

Styles’ self-titled debut album, meanwhile, carries the rustic waft of authenticity, all slowly unfurling ballads (his recent UK number 1 single Sign of the Times clocks in at a bum-numbing six minutes), clattering rock songs mentioning “hard liquor”, and broad lyrical motifs about good girls who are devils in the bedroom. This, he is at pains to make very clear, is a very different Styles.

So his debut solo show in the UK doesn’t take place at the usual One Direction arenas but in north London’s the Garage, a 600-capacity sweatbox that later this month will host the indie also-rans The View. But for all that promise of artistic transformation (“a true rock & roll prince” as Rolling Stone would have him), the lilting opener Ever Since New York, complete with an arm-swaying chorus, could easily have nestled on the last two One Direction albums, the clusters of hysterical fans who scrambled to get tickets filming everything for posterity while roaring back every lyric. 

The sashaying Carolina, whose central riff belongs to Stuck in the Middle With You, and the atmospheric Meet Me in the Hallway are dashed off quickly, the nerves jangling, before the hardcore fans get what they really want: some interaction. “I’m Harry, nice to meet you,” he says in his neon pink, satin suit, the new 2017 reincarnation finally stepping forward.